23
2
Designing with Code (justinjay.wang)
6
Art Invented Humanity (aeon.co)
1
Starveling Rabblement (lrb.co.uk)
3
Twain Town, USA (theamericanscholar.org)
2
Twain Town, USA (theamericanscholar.org)
2
Why the Odyssey Keeps Defeating Filmmakers (newyorker.com)
2
Where the Light Falls: Who Was Johannes Vermeer? (harpers.org)
2
Jackie Gleason's Paranormal Activity (newyorker.com)
1
Gordon Wood's Proust (thelampmagazine.com)
4
Why are there so many canines in fine art? (theatlantic.com)
5
On the nature of autobiographical memory (theamericanscholar.org)
2
What Did the Hudson River School Painters See? (nytimes.com)
76
The Melancholy of Slaying Monsters (mitpress.mit.edu)
1
The Prophecies of the Brahan Seer (1877) (publicdomainreview.org)
5
How Much of the Internet Is AI Slop? (statsignificant.com)
2
Octonous Open Beta: What We've Learned and Where We're Going (blog.mozilla.ai)
3
Pyramid of the Capitalist System (1911) (publicdomainreview.org)
1
Wolfgang Koeppen's Structural Musicality (theparisreview.org)
16
Little magazines are back (wsjfreeexpression.substack.com)
5
Ben Lerner's Big Feelings (vulture.com)
1
The Soviet Network (literaryreview.co.uk)
5
Doing Impressions: Monet's Early Caricatures (ca. late 1850s) (publicdomainreview.org)
2
'True Color' Review: Not-So-Black-and-White (wsj.com)
7
The loneliness of A Room of One’s Own (newrepublic.com)
1
The Loneliness of a Room of One's Own (newrepublic.com)
4
Out of Light Adjust Share: Caravaggio, La Tour, and the Art of Attention (harpers.org)
4
Sekka Zusetsu: A Book of Snowflakes (1832) (publicdomainreview.org)
4
Typing for Love or Money: The Hidden Labor Behind Modern Literary Masterpieces (publicdomainreview.org)
5
Make Nothing That Isn't Beautiful (thepointmag.com)
1
Back to Bellevue (theamericanscholar.org)
5
The hunt for a stolen Jackson Pollock (washingtonpost.com)
1
Where Have All the Pithiatics Gone? (sydneyreviewofbooks.com)
1
Varnish and Virtue (literaryreview.co.uk)
3
Outward Signs of Inner Mysteries (lareviewofbooks.org)
1
The Oddest Couple in American Literature: Part II (airmail.news)
38
Terrence Malick's Disciples (yalereview.org)
2
A centennial look back at Edward Gorey's macabre art and guarded life (washingtonpost.com)
2
Medieval Moons (aeon.co)
3
Why does the Salish Sea glow in the dark? (atlasobscura.com)
3
Superficial Intelligence: Tech Parenting (mozillafoundation.org)
1
'Turncoat' by Dennis Sewell Review (historytoday.com)
2
Marble Springs (1993) (eastgate.com)
2
Paranormal Politics: The Haunting of Epworth Rectory (historytoday.com)
1
Gloomth (lrb.co.uk)
1
Early Retirement: What happens when athletes in their prime decide to bow out? (victoryjournal.substack.com)
3
Vertiginous Accounts: Travels in the Air (1871 edition) (publicdomainreview.org)
2
Do You Know What I Know? (newyorker.com)
1
Vertiginous Accounts: Travels in the Air (1871 edition) (publicdomainreview.org)
3
If the Gumshoe Fits: The Thomas Pynchon Experience (bookforum.com)
1
The Shadow of Desire: Painting the Origins of Art (Ca. 1625–1850) (publicdomainreview.org)
6
What Happens to Artists' Studios After They Die? (nytimes.com)
1
Picturing a Chinatown Family Across Twenty-Two Years (newyorker.com)
2
Redford and Newman: A Screen Partnership That Defined an Era (nytimes.com)
2
The cost of performing childhood for your parent's art (nytimes.com)
1
The Cat's Maew: Thai Treatise on Auspicious Felines (19th Century) (publicdomainreview.org)
2
Ivan Aivazovsky's Miniature Seascapes (ca. 1887) (publicdomainreview.org)
37
The Color of the Future: A history of blue (hopefulmons.com)
1
The Color of the Future: A history of blue (hopefulmons.com)
11
A24's Empire of Auteurs (newyorker.com)
18
The Pleasure of Patterns in Art (mitpress.mit.edu)
9
For Iris Murdoch, morality is about love, not duties and rules (aeon.co)
2
Flowers of Fealty: Commemoration of the Christening of Elisabeth of Hesse (1598) (publicdomainreview.org)
5
Reflections on Soviet Amateur Photography (publicbooks.org)
2
Flowers of Fealty: Commemoration of the Christening of Elisabeth of Hesse (1598) (publicdomainreview.org)
1
Watching the World in a Dark Room: The Early Modern Camera Obscura (publicdomainreview.org)
2
Fakes, Nazis, and Fake Nazis (airmail.news)
32
The Geological Sublime (harpers.org)
9
When photography was born, fascination, obsession, and danger followed (washingtonpost.com)
3
The Geological Sublime (harpers.org)
2
Remembrance of Scents Past (newyorker.com)
2
The Geological Sublime (harpers.org)
1
The Language of Form: Lothar Schreyer's Kreuzigung (1920) (publicdomainreview.org)
1
Edward Burra's tour of the 20th century (newstatesman.com)
1
Encounters with Reality on Christine Rosen's the Extinction of Experience (thepointmag.com)
1
Could the Semicolon Die Out? (smithsonianmag.com)
8
The Renegade Richard Foreman (yalereview.org)
9
Drawing on Tradition: Elena Izcue's Peruvian Art in the School (publicdomainreview.org)
1
Do You See Craters or Bumps on the Moon's Surface? (nytimes.com)
18
How Should We Think About the Renaissance? (chronicle.com)
48
Is “The Phoenician Scheme” Wes Anderson's Most Emotional Film? (newyorker.com)
2
How Should We Think About the Renaissance? (chronicle.com)
12
Medieval Fogge: In Defence of the Middle Ages (historytoday.com)
1
Medieval Fogge: In Defence of the Middle Ages (historytoday.com)
7
Font Activations: A Note on the Type (robhorning.substack.com)
4
Anatomy of a $70M Auction Flop (nytimes.com)
2
The Ecstatic Swoon (aeon.co)
3
The second birth of JMW Turner (newstatesman.com)
1
Our idea of happiness as gotten shallow (nytimes.com)
1
Art as Experience (wikipedia.org)
1
Van Gogh's Loneliness (newcriterion.com)
1
The Magical Number Seven, Plus or Minus Two (wikipedia.org)
1
Doing Nothing Is Everything (theamericanscholar.org)
3
Modern Babylon: Ziggurat Skyscrapers and Hugh Ferriss' Retrofuturism (publicdomainreview.org)
2
'We Have Ceased to See the Purpose' Review: Solzhenitsyn Against Liberty (wsj.com)
1
A Swirl of Intrigue Surrounds Swedish Painter Hilma Af Klint's Newfound Status (smithsonianmag.com)
2
Andy Warhol's Sacraments (firstthings.com)
1
Long-Lost Klimt Portrays African Prince (nytimes.com)
6
Through a Glass Lushly: Michalina Janoszanka's Reverse Paintings (Ca. 1920s) (publicdomainreview.org)
2